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1946 - 20th Century Fox, first contract - $75 per week 1947 - 20th Century Fox, contract renewed - $150 per week 1948 - Columbia contract $125 per week 1949 – For promoting Love Happy - $100 per week 1950 – The Asphalt Jungle - $350 per week. Marilyn earned $1,050 for her work in this film 1951 - 20th Century Fox, second contract - $500 per week (with semiannual increases until $1,500 was reached) |
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©20th Century Fox |
1952 – Clash By Night- $500 per week 1952 - We're Not Married - $750 per week Towards end of 1952 - $1,000 per week 1953 – Gentlemen Prefer Blondes - $1,250 per week May 1953 - $1,500 per week contract limit reached 1954 - River of No Return - $1,500 per week 1954 – There's No Business Like Showbusiness - $1,500 per week 1955 – The Seven Year Itch - $1,500 per week 1956 - A new 20th Century Fox contract - $100,000 (flat fee), and $500 per week for expenses |
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1958 - Some Like It Hot - $100,000 (flat fee), and 10% of profits 1961 – The Misfits - $300,000 (flat fee), and 10% of profits 1962 – Somethings Got To Give – Marilyn would have been paid $100,000 (flat fee) |
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